Using CC Licenses and Tools to Share and Preserve Cultural Heritage in the Face of Climate Change

Brigitte Vézina

On the occasion of bothEarth DayandWorld Intellectual Property Day, which this year centers on the theme ofInnovation for a Green Future, we’d like to underline the importance of cultural heritage preservation as a response to the threats posed by climate change. In this post, we’ll also share some insights on how Creative Commons (CC) licenses and tools, especially thePublic Domain Mark 1.0 (PDM)and theCreative Commons Public Domain Dedication tool (CC0 1.0), can be used to help preserve, share, and enjoy cultural heritage.

Climate change poses serious threats to cultural heritage

Heavy rainfalls, floods, rising sea levels, untamable wildfires, droughts, and other calamities are some of the dire consequences of climate change, possibly one of the greatest challenges of our time. Besides the disastrous impacts on the environment and biodiversity, climate change also poses significant threats to cultural heritage the world over, in both direct and indirect ways.

Flooded Venice
The city of Venice, a UNESCO World Heritage site, is under significant threat due to several factors, including rising sea levels. Image: “Flooded Venice” by Colin PDX (CC BY-NC).

Because of global warming, cultural monuments and sites, as well as objects hosted in galleries, libraries, archives, and museums (GLAMs), face the very real threat of being irremediably damaged or lost. In 2015, theUNESCO World Heritage Committee承认“世界遗产越来越受到气候变化的影响。”气候变化还导致文化公共资金的大幅削减,并导致武装冲突的增加,造成文化遗产被破坏的灾难性连锁反应。

As the risk of natural disasters due to climate change increases, many institutions will face a damning reality: when cultural heritage is lost, a part of humanity vanishes.

当然,气候变化并不是文化宝藏丢失或破坏的唯一诱因。All too often human error or negligence is to blame for heartrending losses, such as the 2009 collapse of theHistorical Archive of the City of Cologne, in which90% of archival records were buried在废墟中。Thankfully, they were partly rescued later. Another tragic example is the2018fire in the National Museum of Brazil, in which92.5% of its archive of 20 million items went up in flames.As the risk of natural disasters due to climate change increases and as governments shift their funding priorities away from the cultural sector, many institutions will likely face a damning reality: when cultural heritage is lost, a part of humanity vanishes.

Preservation can mitigate the risk of loss

这就是为什么glam的保护工作至关重要。他们的核心使命是保护文化遗产,并为公众提供接触文化遗产的途径。Digitization is nowadays the most trustworthy, effective, and efficient way to ensure cultural heritage can continue to exist for all of us to enjoy, as recognized in the2015 UNESCO Recommendation concerning the preservation of, and access to, documentary heritage including in digital formas well as under theEuropean Commission’s Report on Digitisation, Online Accessibility and Digital Preservation of Cultural Material.

GLAMs, like the National Gallery of Art in Washington D.C., are embarking on digitization projects to help preserve and share cultural heritage. Image: “National Gallery of Art” by Phil Roeder (CC BY).

Unfortunately, most copyright laws give GLAMs major headaches when it comes to digitizing the works restricted by copyright in their collections for both preservation and online accessibility. Why? Digitization is an act of reproduction, and under copyright law, this act is the prerogative of the copyright owner, unless an exception applies. Unfortunately, exceptions are all too narrow, unclear, and rare. A recent World Intellectual Property Organization (WIPO)International Conference on Copyright Limitations and Exceptions for Libraries, Archives, Museums, and Educational & Research Institutionsmade evident the unacceptably skewed balance of the copyright system towards the copyright owner to the detriment of those institutions that care for and help interpret, understand, and share cultural heritage.

This is the reason CC signed theopen letterprepared by the International Council of Museums (ICOM) and the International Federation of Library Associations (IFLA), among others, calling on WIPO to urgently createan international legal instrument with clear rules allowing the preservation of cultural heritage collections.

Openly sharing collections online with CC’s licenses and tools

数字化的文化遗产材料应保存保存,但也应尽可能广泛地在网上提供,以便最广泛、最不受限制地获取文化。CC is engaged in groundbreaking work in theOpenGLAMspace, helping cultural heritage institutions achieve their public interest mission by releasing their content through standard open licenses and tools, as well as offering training on their use, such as through theCreative Commons Certificate.

The Sultan Ahmed Mosque
The Sultan Ahmed Mosque, known as the “Blue Mosque” in Istanbul, Turkey is just one UNESCO World Heritage Site threatened by climate change. Image: “Sultan Ahmed Mosque” by Konevi (CC0).

CC licenses and tools, includingCC0, are the easiest and simplest means to communicate to the public what uses can be made of the digital cultural heritage objects and to facilitate wide dissemination of culture. They are becoming the standard for GLAMs that are “opening up” their collections on the internet, helping overcome barriers erected by copyright law and enabling broad reuse.*For material in the public domain, CC offers thePDM, which makes it easy for GLAMs to indicate to users the public domain status of the digital objects made available online.

GLAMs are entrusted by the world’s population with a vast amount of humanity’s memory—digitizing that memory and using the right legal tools can and should be done.

In connection with the launch of theSmithsonian Open Accessinitiative in February 2020, CC recalled that GLAMs, as repositories of creative works worldwide, are entrusted by the world’s population with a vast amount of humanity’s memory. Therefore, digitizing that memory and using the right legal tools can and should be done.CChas a solid background in supporting the creation, adoption, and implementation of open policies and projects with cultural heritage institutions, including theMET,Europeana, theTate, theCleveland Museum of Art, theAuckland Museum, theRijksmuseum,Wikimedia, and theBrooklyn Museum.

We will continue to explore how best to support GLAMs across the world as they open up their collections, helping them navigate the multiple layers of legal and policy issues with the aim of enabling universal access and participation in culture on the broadest terms possible. We will also keep on pushing for copyright policy change to ensure GLAMs can legally and freely preserve the cultural heritage in their collections, notably as a means to confront the risks posed by climate change.

For guidance on implementing an open access policy or using CC’s legal tools including CC0, PDM, and our licenses for the preservation and sharing of cultural heritage, please contact us atinfo@www.familygiver.com—we’re here to help.

*Creative Commons licenses (including CC0) should only be applied to digitized cultural heritage material by or with authorization of the copyright owner(s). Doing so ensures the public that both the underlying work and the digital surrogate (in which the digitizing institution may hold copyright) are free for reuse worldwide. CC licenses should only be applied to works under copyright, not to those whose term of protection has lapsed worldwide. The PDM should only be applied to very old works that are out of copyright and in the public domain worldwide.